exhibition Archivi

‘Not Fully Human, Not Human At All’ explores Europe’s processes of dehumanization

Citizenship, new forms of nationalism, borders and immigration policies, universal affordable healthcare, the new human rights crisis brought along by the consequences of the glo..

‘PARALLELS AND PERIPHERIES: Fractals and Fragments’

Galleria Anna Marra presents PARALLELS AND PERIPHERIES: Fractals and Fragments curated by Larry Ossei-Mensah. The exhibition is the fourth iteration in a series―the first outside..

Home Museum | Lagos Photo Festival’s 11th edition is about a Rapid Response Restitution

This year’s edition of Lagos Photo Festival examines the ramifications of restitution through an ambitious and innovative project, the Home Museum. An open call in May asked peop..

‘Centropy’ | Deana Lawson and Black Image Matters

There are at least two liminal frames that offer themselves when looking at images of Black people. The first is that on a fundamental level, images generally and images of Black..

Biennials and Triennials to visit in 2020

It’s time for biennials, triennials and art fairs. Here is our selection of art events to keep an eye on—and to put in your diary.

The Stellenbosch Triennale, 11 February – 30..

Imprisonment, identification and identity in Fiamma Montezemolo’s ‘Entanglements’

According to nineteenth-century criminologist Cesare Lombroso’s 1876 work Criminal Man—original title, L’Uomo Criminale—the tattooed XIX century man was ancestrally predisposed t..

Here is what our ‘(Memorie) In Ascolto [Listening Memories] looked like

On 23rd, 25th and 26th November our artistic project ‘(Memorie) In Ascolto‘, realised as part of the festival Futura Memoria e Contemporaneamente Roma 2019, dressed up the space ..

‘(Memorie) In Ascolto’ | Feed the memory, strengthen the memory, transmit the memory

Feed the memory, strengthen the memory, transmit the past, present and future memory. These are some of the watchwords of (Memorie) In Ascolto, the project realised as part of th..

exhibition

‘Living Grains’ | Ibrahim Mahama’s first solo exhibition in Rome

Ibrahim Mahama (b. 1987, Tamale, Ghana) presents its first solo exhibition, Living Grains, at the Fondazione Giuliani. The show includes a range of newly commissioned artworks, i..

‘Water Life’ | Aïda Muluneh explores and highlights water crisis

Water shortage and lack of access to clean water are crucial issues that affect the lives of milions of people around the world, with a particularly devastating impact on the liv..