According to nineteenth-century criminologist Cesare Lombroso’s 1876 work Criminal Man—original title, L’Uomo Criminale—the tattooed XIX century man was ancestrally predisposed t..
On 23rd, 25th and 26th November our artistic project ‘(Memorie) In Ascolto‘, realised as part of the festival Futura Memoria e Contemporaneamente Roma 2019, dressed up the space ..
Feed the memory, strengthen the memory, transmit the past, present and future memory. These are some of the watchwords of (Memorie) In Ascolto, the project realised as part of th..
Colour is the visual perception of electromagnetic radiation within the visible spectrum. Intangible palette of our reality, colours fill our existence, feed our imagination, str..
2019 marks the tenth anniversary of the LagosPhoto Festival. The new edition exploring the theme of Passports intends to delve into the constraints and the prospects of the most ..
Satire is the use of humour, irony or exaggeration to expose and criticise people’s stupidity or vices, particularly in the context of contemporary politics and other topical iss..
Kader Attia is many things, but currently, he is an incredulously prolific man. Within the space of a dozen months, he managed to fit biennials in Gwangju, Shanghai and Venice, a..
A couple of months ago, I came across the image of a painting as I scrolled through my timeline on Facebook. It’s a painting I must have seen at least ten times in the past few y..
Last October, on the occasion of the ‘Italy-Africa’ Conference in Rome and the private visit of 250 guests to the African Metropolis exhibition at MAXXI museum, we presented a te..